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To compensate, he inserts observations about life and art imitating or borrowing from each other, leading to some heavy-handed moments of meta-narrative.

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Some attempts at humour cross over into the offensive, as when he refers to an elderly, skinny man at a University of Toronto swimming pool as someone who looks like he has вЂњjust returned from Auschwitz.вЂќ Comparisons of poor Indian children to stray dogs and mimicking the patois of a вЂњsassyвЂќ вЂ“ code for black, I assume вЂ“ airport security officer named Laverneesha struck me as tone-deaf.Д«ut what weighs down the memoir more than these lapses in judgment is that much of SurendraвЂ™s story not related to his pursuit of the role of Pi is unremarkable. He writes sarcastically about the clothing choices of teachers, co-workers, and even dermatologists, as if not keeping up with fashion trends signifies a mortal character flaw. But as empathetic as our wannabe Pi is, perhaps he sat too closely to those mean girls on set. The memoir serves double duty as a cautionary tale and an inspirational one. ThereвЂ™s much to admire in SurendraвЂ™s singular pursuit of his dream and the method (acting) to his madness.

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He sabotaged his prospects at starring in a Hollywood sitcom on the off, off chance he might possibly one day get cast as Pi in a movie that took nearly a decade and a revolving door of directors to move from page to screen.

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He learned how to swim and explored the world of castaways. Surendra took a year off from university to travel to India and immerse himself in the real world of the fictional Pi. Other factors вЂ“ which include growing up in a house within spitting distance of the Toronto Zoo (hence the memoirвЂ™s title) вЂ“ turned this desire into a magnificent obsession. Pi and Surendra shared a similar physique (small), heritage (Tamil), and approach to religion (ecumenical). As a young brown actor in Canada, almost every role he auditioned for involved playing a terrorist or a techie. In The Elephants in My Backyard, the Toronto-based Surendra chronicles his six-year journey to land the title role in the film adaptation of Yann MartelвЂ™s Life of Pi.

(Excluding, naturally, his shirtless recreation of the rap for BuzzFeed this summer.) Twelve years later he has written a memoir about his involvement with another film вЂ“ one that consumed him, but in which he was not ultimately cast. He threw himself into the audition, wowed the director, and never saw the same level of pop-culture success again. Kevin G's rap wasn't the first instance of Poehler's rap game greatness.If you know Rajiv Surendra at all, itвЂ™s probably from his scene-stealing performance as Kevin G., a rapping mathlete in the 2004 movie Mean Girls. Luckily they were smart enough to see the brilliance that came with casting Poehler in the film and also showcasing yet another one of her myriad skills: that of budding rap visionary. They'd been burned on some Saturday Night Live movies that had come from Lorne, so they didn't want many Saturday Night Live actors in Mean Girls, because then it might feel like an SNL movie and people might shy away from it.' 'It's weird, but Paramount had a nervousness about Saturday Night Live.

It's especially interesting when you consider that, according to Waters, initially Paramount (the film's studio) didn't want any SNL folks in the film. 'Amy definitely coached him on how to do the rap, and she actually gave him some of the moves and choreography for it,' Waters explained. Because Amy Poehler has proven herself time and time again to be the sort of women many of us ladies aspire to be: inspiring, awesome, smart, thoughtful, kind, hilarious, giving, generous, brilliant, clever, absolutely hilarious, and secretly really adept at rapping. 'She'll actually give credit to Amy for this, because Amy is more of the rap person,' said Waters.Д«ecause of course.

everyone's other lady hero Tina Fey - handed the reins over to Poehler when it came time for mathlete Kevin Gnapoor to spit some rhymes. In an interview with Vulture, Waters revealed the tidbit, stating that the screenplay's author - a.k.a. Uuughhhh Amy Poehler you goddamn gift to comedy, you. Some days, even the staunchest Amy Poehler obsessives look around at each other, exhausted, and think: 'She couldn't possibly reveal another reason for us to love her, could she?' Adding onto the unending pile today was Mean Girls director Mark Waters who revealed that, of course, it was Poehler who created Kevin G's memorable rap from the talent show scene.

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